A derivative of Marsha P. Johnson’s “No Pride for some of us without liberation for all of us”, “All or None” is a celebration of, and spotlight on, our dear United Queerdom, through the glitter eyed highs and trauma-laced lows, to the simple unremarkable normalcy that the media so often forgets we exist in.
Casting Director & Concept: James Hinton
Casting Call
Looking for UK based LGBTQIA+ individuals
For more info & apply here
Creating life - having it all. Yet in the mundanity, it can really feel like nothing… the sense of self is conflated with need and demand; the loss of your old life is a stark reflection during everyday tasks; the trap of sleep schedules, school runs and managing another’s emotional inner world and physical experience is suffocating. The Iove catches you breathless.
We are so lucky to exist.
So grateful for those queer families that came before.
We are free until we are not.
Our children are growing up in joy and we armour them against shame. We cannot protect them. There is chaos, love grief and defiance.
- Hannah & Nic
What I love about these photos is that they take that word "greedy" and flip it on its head. The imagery is deliberately excessive, almost cartoonishly so, because that’s how the world has often projected onto me. If I was dating a man, I was “basically straight.” If I was with a woman, suddenly I was “basically a lesbian.” It was as if my full identity only existed in pieces, depending on who was standing next to me. My depth, my capacity for connection, my desire (emotional and physical) was reduced to something to mock, simplify, or dismiss.
But the truth is, I feel intensely. I connect beyond gender. I love expansively. And yes I am hungry! Hungry for life, hungry for experiences, hungry for people who make me feel alive. These images celebrate that hunger instead of punishing it. They let me play with the idea of excess, indulgence, appetite and show it not as a flaw, but as power.
Today, I embrace the parts of myself I once tried to hide. I’m proud of who I am, proud of the connections I make, proud of the way I move through the world with an open heart and an open appetite. After all, what can I say? I’m a hungry girl.
- Jada O'Neill
Perhaps that’s the Gemini in me.. but looking at these photos, it stirs up feelings of what it means to be someone who holds complexity and multiplicity in their very being.
The right one couldn’t be more dynamically opposed to the left - yet they’re the same woman.
In that same way, working in the west end has been intensely life changing. I am more visible to the world than I have ever been before, I have more time performing on stage and have done more consecutive shows than any other job.
By the next cast change I will have completed seven cast changes.. that duality lives in each of the statements. Fatigue and burnout are a real part of the west end experience, as much as adulation, truth and storytelling.
I am proud of the way even in undress and chaos on the left, I take up space, and am deeply proud of my plus size body. And on the right… well, If you’ve seen the show, you already know.
My deepest thanks to Yolanda and James.
- Allie Daniel
You’re not just getting dressed up and performing anymore — you’re chasing emails, negotiating fees, organising yourself, doing loads of unpaid work no one ever warns you about. Some gigs pay well, some don’t, and it’s never consistent. You’re constantly hustling just to stay afloat. Drag Race changed the landscape too — fees went up, expectations went up, but the spaces we work in didn’t suddenly get richer.
There’s more competition, more pressure, and sometimes it feels completely oversaturated. I’ve had plenty of moments where I thought, “Do I even want to do this anymore?” because you’re expected to love it all the time, and that just isn’t real.
What I’ve learned is that people connect with honesty more than polish. Audiences can tell straight away when you’re forcing something or trying to be what you think they want.
The performers people really warm to are the ones who are just being themselves — a bit rough around the edges, a bit mouthy, a bit vulnerable. Trying to fit into some perfect version of drag, or please everyone, is exhausting and does your head in. At some point you realise you can only be where you are, as you are, and there’s a lot of freedom in that.
I’ve also had to rethink nightlife and drinking. In the early days, being drunk at work felt normal, like part of the job, but it didn’t help my performance or my mental health.
Stepping back from that gave me more control, more focus, and a better relationship with what I do. These days I’m more interested in longevity than chaos. I still love performing, but I also love hosting, talking, and building spaces where people feel seen.
Drag is still my art, but it’s also labour. It’s funny, political, messy, tiring, and sometimes brilliant. I don’t romanticise it anymore — I just do it honestly. And I’m still here because, at the end of the day, it’s the most truthful way I know how to exist.
-YShee Black
You know, most people don’t realise that I have had different health issues in my life, and that there are many personal reasons why I have a deeper appreciation to be able to train.
We all come from different walks of life, there is so much verity and nuances even in our own community, so when I think of; none of us are free until all of us are; I think it’s worth remembering to not reduce or undermine each other.
We may see things differently at times , but we need to remember we have all gone through a lot to be who we are today. We need to actively support each other more, because we will always have more strength to drawn upon as a collective.
As a transman, I found a connection to my body by weight training, and as for my mental health, training unlocked a deeper healing; that talking alone did not relieved.
The first part of the shoot; was in my room, it was calm and chance to get grounded, which is a part of my own wellbeing practice. Then we shoot in my former home gym; Muscle Works, which brought back lots of fond memories during competition prep.
As a competitor I was determined to break through the barriers and show that trans people do belong. We have right to step on stage, or participate in sports, and that maybe we could even defy all the odds and win.
I wanted to change the narrative that people think trans people are less than, I wanted to win, for every person out there who has ever been doubted by the masses. After everything I have been through, “I am still standing”, and if I am standing; then I am going to take up space and stand proud!”
In November 2022 I won 3 x bodybuilding titles, making history as a transman. In that same year, I lost my younger trans sibling and the gym anchored me, in a time in my life where I felt winded, lost in grief, and my very first win was dedicated to my dearly loved Shay.
- Cairo Nevitt
From the moment I was born, naked and unadulterated, all around had wrapped me in swaddling and common sense, smothering a vulnerable child with every best intention to protect.
I was formed by the vigilance of those close to me and barbed by those that endeavoured to harm me. It was comforting to retract into trusted structures. But within this safety, my authentic self lay fretfully anxious.
Time passed. I searched. Dance, performance, music composition, design beckoned. Through their creative doorways, i realised that by being different was not a crazy notion, it was the way to fulfilment. I turned the tables. Those that repressed me, I began to understand their own pathetic imprisoning shackles.
I live by the river. I am immersed in the wide expanse of sky, the variations of weather and the energy of water. Solitary, I freely uncurl powerful dragon energy - the boundless lash of my true self.
- Hi Ching
To be accepted, to rise, you must present yourself in a specific way. Especially when I move from working in fashion to the luxury sector, people in that social or career group will decide whether you are one of them by the brands and names you carry.
Professionally, I must be sharp, clean, strong, and stylish. There is little tolerance for mess, even in a creative industry that, by nature, is born of disorder and self-discovery.
My true, relaxed self only appears in private — in the chaos, the softness, the confidence that needs no performance. Here, I stop making choices and let everything exist at once. Clothes and bags scatter across the room. The objects that define me professionally lose their power. Nothing is perfect, organised, or polished for a glamorous mask. This is real life. This is me.
My pansexuality exists here as it always has — quietly, naturally, without explanation. It is simply how I feel, love, and connect. For a long time, I wasn’t sure there was space for this version of me to exist openly, especially in a world where image often feels like law.
But in this moment, in this frame, I feel something more profound than pride. I feel free — free to love, free to be messy, free to take up space, free to be seen without hiding.
This is me: whole, honest, fluid, and finally unafraid to be all of myself at once.
- Wendy Nieh